Peter gabriel biography family feud

20 Insanely Great Peter Gabriel Songs Only Hardcore Fans Know

"We think we're islands, but we're all connected in a landmass," Gabriel told Mojo in 2010, reflecting on the volatile "The Family and the Fishing Net" from 1982's Security (the alias of yet another self-titled album). "What you see above the water is two people getting married. But beneath the water are the tentacles of two larger, dominant organisms which are the families making connection through those two particular tentacles. But we never observe and recognize that."

The unseen complexities of marriage – "the ritual of the wedding, the ring and the finger," as Gabriel said onstage on the Plays Live LP – anchor this seven-minute behemoth. The track simmers in one extended build, without a true chorus, anchored by Tony Levin's sparse Chapman Stick. Then, finally, it detonates: "Another in the mesh!" Gabriel yelps. "The body and the flesh!"

"The Family and the Fishing Net" is a litmus test for hardcore fans, but Gabriel has always adored the track, even plugging it into the set list for his recent Back to Front Tour. "[That's one] a lot of fans will never like really, but I want to play that," he told Rolling Stoneahead of the trek.  

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  • Genesis: the miracle of A Trick Of The Tail and life without Peter Gabriel

    Whatever happened to Mick Strickland? He was one of hundreds of vocalists who applied for the job of lead singer in Genesis after Peter Gabriel left the band. Strickland even made it as far as Trident Studios to sing with the band. However, it didn’t work out.

    Others who sent tapes to Genesis and waited for the call included Brinsley Schwarz’s guitarist/vocalist-turned-punk producer Nick Lowe, Manfred Mann’s Earth Band vocalist Mick Rogers and Jahn Teigen of Norwegian prog rockers Popol Ace, last seen receiving ‘nul points’ as a contestant in the 1978 Eurovision Song Contest.

    However, it’s worth considering another possibility. “For a time, I thought we’d carry on as a four-piece without any singing,” revealed Phil Collins.

    Showing the same indomitable spirit that helped them survive an English public school education, Mike Rutherford and Tony Banks’ response to Gabriel’s departure was to put their heads down and simply carry on without him – until they couldn’t carry on any more.

    “We kept writing songs,” Mike Rutherford told Prog, “but after a while we realised they’d get a bit boring without any vocals.”

    Soon enough, Genesis began looking around for a new lead singer. What nobody realised yet was that they’d already found him.

    We knew from the start that costumes wouldn’t be part of it. You only had to look at Phil to realise he wouldn’t have been good in a flower mask.

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    Peter Gabriel announced his departure at a band meeting in Cleveland, Ohio, in January 1975. Genesis were touring The Lamb Lies Down On Broadway at the time. Gabriel had already left during the album’s recording sessions but had been persuaded to return. This time he wouldn’t

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  • Genesis (band)

    English rock band (1967–2022)

    For other bands with similar names, see Genesis (disambiguation) § Music.

    Genesis were an English rock band formed at Charterhouse School, in Godalming, Surrey, in 1967. The band's longest-lasting and most commercially successful line-up consisted of keyboardist Tony Banks, bassist/guitarist Mike Rutherford and drummer/singer Phil Collins. In the 1970s, during which the band also included singer Peter Gabriel and guitarist Steve Hackett, Genesis were among the pioneers of progressive rock. Banks and Rutherford have been the only constant members throughout the band's history.

    The band were formed by Charterhouse pupils Banks, Rutherford, Gabriel, guitarist Anthony Phillips and drummer Chris Stewart. Their name was provided by former Charterhouse pupil and pop impresario Jonathan King, who arranged for them to record several singles and their debut album From Genesis to Revelation in 1969. After splitting from King, the band began touring, signed with Charisma Records and shifted to progressive rock with their succeeding album Trespass (1970). Phillips departed after the album's recording, with Banks, Rutherford and Gabriel recruiting Collins and Hackett before recording Nursery Cryme (1971). Their live shows began to feature Gabriel's theatrical costumes and performances. Foxtrot (1972) was their first charting album in the UK and Selling England by the Pound (1973) reached number three, featuring their first UK hit "I Know What I Like (In Your Wardrobe)". The concept albumThe Lamb Lies Down on Broadway (1974) was promoted with a transatlantic tour and an elaborate stage show, before Gabriel left the group.

    Collins took over as lead singer, and as a four-piece the group released A Trick of the Tail and Wind & Wuthering (both 1976) with continued success. Hackett left the band in 1977, reducing the band to a three-piece of Banks, Rutherford and Collins. Their ninth studio album, ...A

    Peter Gabriel's solo albums Us and Up abandoned pop for prog's darkest side

    In May 1986, Peter Gabriel released his fifth studio album. In the UK, it was the first to be given a title, rather than just his name, like his four preceding long‑players. Unlike those four, So became a global phenomenon because it contained a track called Sledgehammer and another called Don’t Give Up. The Stax-inspired elation of the former was matched by the Kate Bush-assisted introspection of the latter. Soon the album was topping the chart in the UK and nestling in the runner-up slot in the US.

    So gave Gabriel the financial freedom to match the artistic independence he had enjoyed ever since he left Genesis in 1975. A performer with some of the loftiest ideas in popular music, Gabriel had faced bankruptcy in 1982 and had to be bailed out by his old group after the artistic triumph, yet commercial catastrophe, of his first World Of Music And Dance (WOMAD) Festival in 1982. As a perfectionist who spent increasingly long periods making albums, the monetary security of an enormous hit record was exactly what Gabriel needed.

    And when the revenue from the multiplatinum album and attendant tours came in, invest it he did. Taking the advice of his then-manager Gail Colson, Gabriel sank his cash into his Real World studio complex and label in Wiltshire, just outside Bath. From this 200-year-old converted mill, he would mastermind his operations; A&R some of the most innovative music from around the globe; keep an eye on WOMAD, now becoming one of the world’s most successful festivals; have his own studio ready and waiting for his often idiosyncratic recording methods; and finally, resume the business of being a pop star. This last part was to take the longest time.

    Gabriel’s first releases on Real World were the groundbreaking Passion: Music For The Last Temptation Of Christ in June 1989, and then in November 1990, his first hits collection, Shaking