Symon sadik biography of abraham

Symon Sadik is 39 Years, 5 Months, 24 Days old. Symon Sadik was born on Friday and have been alive for 14,422 days, Symon Sadik next B'Day will be after 6 Months, 7 Days, See detailed result below.

Lockshin, Martin. "Asmakhtaʾ and Abraham ibn Ezra’s Exegesis". Polemical and Exegetical Polarities in Medieval Jewish Cultures: Studies in Honour of Daniel J. Lasker, edited by Ehud Krinis, Nabih Bashir, Sara Offenberg and Shalom Sadik, Berlin, Boston: De Gruyter, 2021, pp. 229-250. https://doi.org/10.1515/9783110702262-011

Lockshin, M. (2021). Asmakhtaʾ and Abraham ibn Ezra’s Exegesis. In E. Krinis, N. Bashir, S. Offenberg & S. Sadik (Ed.), Polemical and Exegetical Polarities in Medieval Jewish Cultures: Studies in Honour of Daniel J. Lasker (pp. 229-250). Berlin, Boston: De Gruyter. https://doi.org/10.1515/9783110702262-011

Lockshin, M. 2021. Asmakhtaʾ and Abraham ibn Ezra’s Exegesis. In: Krinis, E., Bashir, N., Offenberg, S. and Sadik, S. ed. Polemical and Exegetical Polarities in Medieval Jewish Cultures: Studies in Honour of Daniel J. Lasker. Berlin, Boston: De Gruyter, pp. 229-250. https://doi.org/10.1515/9783110702262-011

Lockshin, Martin. "Asmakhtaʾ and Abraham ibn Ezra’s Exegesis" In Polemical and Exegetical Polarities in Medieval Jewish Cultures: Studies in Honour of Daniel J. Lasker edited by Ehud Krinis, Nabih Bashir, Sara Offenberg and Shalom Sadik, 229-250. Berlin, Boston: De Gruyter, 2021. https://doi.org/10.1515/9783110702262-011

Lockshin M. Asmakhtaʾ and Abraham ibn Ezra’s Exegesis. In: Krinis E, Bashir N, Offenberg S, Sadik S (ed.) Polemical and Exegetical Polarities in Medieval Jewish Cultures: Studies in Honour of Daniel J. Lasker. Berlin, Boston: De Gruyter; 2021. p.229-250. https://doi.org/10.1515/9783110702262-011

Copied to clipboard

The Interviewees

Herve Georgelin | Pelin Böke | Alex Baltazzi | Axel Corlu | Philip Mansel | Antony Wynn | Fortunato Maresia | Vjeran Kursar | Christine Lindner | Frank Castiglione | Clifford Endres | Zeynep Cebeci Suvari | Sadık Uşaklıgil | İlhan Pınar | Ümit Eser | Bugra Poyraz | Oğuz Aydemir

Interview with Clifford Endres on Eduard Roditi, October 2015

1- Can you tell us how you first came across the writings of Edouard Roditi and why you found them of particular interest?

I first discovered Edouard Roditi in Mediterraneennes 10 (1997), an issue subtitled “Istanbul, un monde pluriel” and devoted to the City. John Ash, the British poet (one of whose poems was in the issue), had been exclaiming how the Roditi piece, “The Vampires of Istanbul,” was alone worth the price of the journal. So I bought it, and he was right: although “Vampires” had been shortened, as I later learned, by about a third from its original publication in The Delights of Turkey (New Directions, 1977), it remained a hilarious satire, acutely on target as regards Turkish pride and prejudice in the Istanbul of the 1960s.

I then looked up Roditi’s work as a surrealist poet in the Paris of the late 1920s. It’s great stuff. He wrote in both French and English, and at age eighteen was publishing in transition — the avant-garde journal published in Paris — while enjoying the attention of luminaries such as Leon-Paul Fargue and T.S. Eliot, from whom he learned a good deal. In the 1930s he began to discover his Jewish roots (his parents had never gone in much for religion) and his poetry took a turn toward the more traditional, as in Prison Within Prison: Three Elegies on Hebrew Themes, published in 1941. He translated Andre Breton into English for View magazine in 1946, wrote a brilliant biography of Oscar Wilde (1947), and published a volume of poems in 1949 with New Directions. Two volumes of art criticism — Dialogues on Art and More Diaogues on Art — were published in the