Quei due testo di claudio baglioni biography

Italy's foremost female rock singer, Gianna Nannini, was born in Siena on June 14, 1956, to a family that included a renowned industrialist and Siena Football Club president father and a Formula One pilot brother. Often described as the creative rebel in the family, Nannini attended the Lucca Conservatory throughout her entire adolescence, where she was trained as a pianist. At age 19, she decided to become a professional musician, and left her home for Milan, where she began to perform in local bars and small venues. She also continued her musical training, studying composition with Bruno Bettinelli and going to London for vocal lessons. Nannini soon caught the eye of several recording companies, and eventually signed to Numero Uno, the label owned by Italian pop heavyweights Mogol and Lucio Battisti -- the latter one of Nannini's musical idols. She was first hired as a female vocalist for one of the label's acts, Flora Fauna e Cemento, with whom she co-wrote and recorded the B-side "Stereotipati Noi" for their 1974 single "Congresso di Filosofia." The following year, she released her self-titled debut album for Ricordi, followed by Una Radura in 1977. Nannini's first two albums were mostly comprised of piano-based ballads, and were clearly influenced by other Italian songwriters of the period, such as Lucio Dalla and Lucio Battisti, as Nannini strove to find her own musical identity. While both records would be ignored by all future Gianna Nannini official compilations and live albums, they served to introduce Nannini as a powerful female songwriter who wrote all the music and lyrics of her songs (an oddity in Italy at the time), revealing a fierce sense of independence as well as distinct feminist views on her take of issues such as abortion and female desire.

Nannini's breakthrough came with 1979's California, recorded with the help of Premiata Forneria Marconi. It was an album that effectively announced her transformation into a rock arti

Italian singer-songwriter (born 1940)

For the album, see Guccini (album).

Musical artist

Francesco Guccini (Italian:[franˈtʃeskoɡutˈtʃiːni]; born 14 June 1940) is an Italian singer-songwriter, actor, and writer. During the five decades of his music career he has recorded 16 studio albums and collections, and 6 live albums. He is also a writer, having published autobiographic and noir novels, and a comics writer. Guccini also worked as actor, soundtrack composer, lexicographer and dialectologist.

Guccini moved to Pàvana during World War II, then returned to Modena where he spent his teenage years and established his musical career. His debut album, Folk beat n. 1, was released in 1967, but his first success was in 1972 with the album Radici. He was harshly criticised after releasing Stanze di vita quotidiana and answered his critics with the song "L'avvelenata". His studio albums production slowed down in the nineties and 2000s, but his live performances continued being successful.

His lyrics have been praised for their poetic and literary value and have been used in schools as an example of modern poetry. Guccini has gained the appreciation of critics and fans, who regard him as an iconic figure. He has received several awards for his works; an asteroid, a cactus species and a butterfly subspecies have been named after him. The main instrument in most of his songs is the acoustic guitar.

A leftist, although not a communist, Guccini dealt with political issues and more generally with the political climate of his time in some songs, such as "La locomotiva" or "Eskimo".

Origins

Guccini was born in 14 June 1940 in Modena, Italy.

Musica pop e testi in Italia dal 1960 a oggi a cura di Andrea Ciccarelli, Mary Migliozzi e Marianna Orsi LONGO EDITORE RAVENNA Participation in CLOCKSS and PORTICO Ensures Perpetual Access to Longo Editore content ISBN 978-88-8063-787-5 © Copyright 2015 A. Longo Editore snc Via P. Costa, 33 – 48121 Ravenna Tel. 0544.217026 – Fax 0544.217554 e-mail: longo@longo-editore.it www.longo-editore.it All rights reserved Printed in Italy CATHY ANN ELIAS CLAUDIO BAGLIONI, THE APOLLO OF MUSICA LEGGERA Claudio Baglioni has a singular place among the Italian cantautori of his generation. In spite of his early success, a continuous prominent presence since the seventies, and a current appeal that crosses social, regional and generational divides, there is a segment of both the audience and critics who belittle or dismiss him in an aggressive manner. They view him as plastic, overly sentimental, politically and socially unengaged, naïve, and aligned – in his youth – with slightly right-wing petty bourgeois Christian Democrat values. For them, Baglioni is trivial pop, and they perceive him as the persona he presented when he sang his early songs – a whiny and agonizing performer with little to say. In a recent interview, Vasco Rossi described Baglioni’s appearance in 1988, when he was close to forty years old, as “la perfetta rappresentazione dell’ideale del bravo ragazzo: pulito, bello e sano”, and his songs as “canzoni lagnose” with insufferable texts. He continues with a discussion of his music: ... Con testi che non raggiungono neanche il livello dei peggiori discorsi sul più e sul meno, infarciti dei soliti luoghi comuni, come quelli che si fanno per ammazzare il tempo quando si sta in fila alle Poste o che fanno tra loro le signore dal parrucchiere durante una messa in piega ... (L’Altra Autobiografia) Later, Baglioni’s appearance in carefully choreographed sophisticated settings – which reflected the ambiance and spirit of

Buon viaggio della vita (Anteprima tour Tutti qui), anche conosciuto semplicemente come Buon viaggio della vita, è un triplo album dal vivo di Claudio Baglioni pubblicato nel 2007.

Il disco non è un vero e proprio live, l'intenzione di Baglioni è quella di continuare a spaziare e ad andare a rincorrere una ricerca scenica e un nuovo modo di fare dischi - come d'altronde farà per tutti gli anni 2000 - quindi andando a registrare più di trenta canzoni rivistate e riarrangiate da zero nello studio di registrazione con la band e gli strumenti suonati tutti dal vivo contemporaneamente, come se fosse un live.

Il disco

Si presenta come un raccolta di pezzi eseguiti all'interno di uno studio di registrazione in presenza di 500 persone, la cui ubicazione e nome non sono inclusi nei credits inseriti nel booklet del CD. Simboleggia la "tappa zero" del Tutti qui Tour realizzato poi nei palasport al centro, sulla base degli arrangiamenti eseguiti in questo disco.

Tracce

CD 1

1. Tutti qui
2. Strada facendo
3. Noi no
4. Avrai
5. Medley Jè Jè (Porta Portese, A modo mio, Signora Lia, W l'Inghilterra, Notti, Serenata in Sol)
6. Mai più come te
7. Amori in corso
8. Poster
9. Medley Atmo (Con tutto l'amore che posso, Io dal mare, Ragazze dell'Est, Quei due, Domani mai, Acqua dalla luna)
10. Quante volte
11. Sono io
12. Buona fortuna

CD 2

1. Medley Folk (Ragazza di campagna, I vecchi, Un po' di più, Fotografie, Vivi, Le vie dei colori)
2. Cuore d'aliante
3. E adesso la pubblicità
4. Notte di note, note di notte
5. Medley Rock (Dagli il via, Un nuovo giorno un giorno nuovo, Io me ne andrei, Quanto ti voglio, Bolero, Grand'uomo)
6. Via
7. Medley Song (Questo piccolo grande amore, Amore bello, E tu, Sabato pomeriggio, Solo, E tu come stai)
8. Io sono qui
9. Mille giorni di te e di me
10. La vita è adesso

CD 3