Local biography
Pennsylvania Magazine of History and Biography
The Pennsylvania Magazine of History and Biography (PMHB) is a quarterly scholarly journal and one of the country’s most prestigious state historical publications. Published since 1877 by The Historical Society of Pennsylvania, it is an important resource for those interested in a scholarly approach to state and local history, industry, genealogy, culture, and related subjects. For more information about The Historical Society of Pennsylvania, visit the society's website.
To subscribe to current issues of the journal or for information regarding submissions, visit the society's Pennsylvania Magazine of History and Biography page.
This site provides access to a century of back issues of the Pennsylvania Magazine of History and Biography since Vol. 31 (1907). One new volume will be added to the digital archive each year forward, six years after the original publication date (e.g., 2013 issues were added in the 2019 calendar year).
Issues Published 1907–2016- To search for authors, titles or words in the full text of issues in this repository, visit the Archives on this site.
- If you have a Penn State Access account, the most recent issues in full text are available at The Historical Society of Pennsylvania's Website.
- For access to Volumes 17ndash;30 (1877–1906) in electronic format:
- If you have a Penn State Access account, go to the full text of the earlier journal issues through the ProQuest American Periodicals Series database (you will see a different interface and search engine).
- To locate other libraries that have copies, consult OCLC WorldCat, where you can search many libraries at once for an item and then locate it in a library nearby. You may need to be a member of a library that subscribes to WorldCat to view/download content or check out materials through its website. Search the magazine title PMHB.
- Consult your local library for interlibrary loan options.
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10 Band Bio Examples and How to Make Yours Great
Your band sounds tight, and you’re ready to start gaining exposure and working gigs. But, have you set up your website and written your bio yet?
One of the best ways to make your band look professional is to put together a band bio page. A biography is essential for new groups so that bookers can learn about the artists before hiring them.
An interesting, personal bio creates a positive first impression. A quality biography will help give fans and potential bookers a real sense of who you are. We have some tips and samples to help you write the perfect bio.
The first tip is to have a website that has the band’s name in the URL so people can find you. Too many new bands and artists don’t even have a website, the foundation for your music business.
Not sure where to begin? Get a website, then write a bio using the following tips.
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Band Bio Generator
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“The quote itself is surrounded with quotes. Outside the quotes, put a dash followed by the persons name and publication.” - Reviewer Name, New York TimesYour New Band Bio:
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How To Write A Band Bio That's Captures Attention
Let's start off with this great video from Jen at Publicifi. She breaks down 3 key elements you can use to write a band bio that is memorable and that doesn't put people to sleep!
How Long Should A Music Bio Be?
Some agencies suggest writing three different bios, short, medium, and long. A quick rule of thumb is:
Most visitors and bookers w
A Life Lived in a Rapidly Changing World: Samuel L. Clemens‚ 1835-1910
Mark Twain
As Twain’s books provide insight into the past‚ the events of his personal life further demonstrate his role as an eyewitness to history.
During his lifetime‚ Sam Clemens watched a young United States evolve from a nation torn apart by internal conflicts to one of international power. He experienced America’s vast growth and change – from westward expansion to industrialization‚ the end of slavery‚ advancements in technology‚ big government and foreign wars. And along the way‚ he often had something to say about the changes happening in his country.
The Early Years
Samuel Clemens was born on November 30‚ 1835 in Florida‚ Missouri‚ the sixth of seven children. At age 4‚ Sam and his family moved to the small frontier town of Hannibal‚ Missouri‚ on the banks of the Mississippi River. Missouri‚ at the time‚ was a fairly new state (it had gained statehood in 1821) and made up part of the country’s western border. It was also a state that took part in slavery. Sam’s father owned one enslaved person, and his uncle owned several. In fact‚ it was on his uncle’s farm that Sam spent many boyhood summers playing in the enslaved people’s quarters‚ listening to tall tales and the spirituals that he would enjoy throughout his life.
In 1847‚ when Sam was 11‚ his father died. Shortly thereafter he left school to work as a printer’s apprentice for a local newspaper. His job was to arrange the type for each of the newspaper’s stories‚ allowing Sam to read the news of the world while completing his work.
Twain’s Young Adult Life
At 18‚ Sam headed east to New York City and Philadelphia‚ where he worked on several different newspapers and found some success at writing articles. By 1857‚ he had returned home to embark on a new career as a riverboat pilot on the Mississippi River. With the outbreak of the Civil War in 1861‚ however‚ all traffic along the river came to a halt‚ as di
It’s easy to overlook the fact that, despite only three solo albums in 18 years, José González has packed out distinguished venues from Sydney to Tallinn – via Berlin, Barcelona and Rio De Janeiro – and even sold out London’s prestigious, 4000+ capacity Royal Albert Hall a full three years after his last acclaimed collection, 2015’s Vestiges & Claws. He’s earned platinum records in the UK and his Swedish homeland as well gold in Australia and New Zealand. He’s also got some billion streams under his belt, and recent bewildering events have only endeared him further to the public, with his songs providing a consistent source of comfort over the last 18 months, something reflected by a significant rise in those streaming figures. Of course, such matters aren’t things of which José himself will remind you: since he first arrived with debut single ‘Crosses’ back in 2003, both he and his music have remained dependably quiet and unassuming. To underestimate him on account of his modest nature, however, would certainly be regrettable.
José’s long-awaited fourth album, Local Valley, provides a welcome reminder of his understated appeal and his singular ability to communicate discreetly, a quality illustrated by the uncommonly effective use of his music during The Last Dance, Netflix’s recent documentary about Michael Jordan. Local Valley also for the first time utilises all three languages José speaks, allowing for greater depth and connection to his lineage. Beginning with the sun-dappled ‘El Invento’, the first song he’s recorded in Spanish (the native tongue of his Argentinian heritage), and ending with the intimate yet rhapsodic ‘Honey Honey’, it engages in his signature melodic and metrical hypnotism on ‘Head On’ and ‘Tjomme’ and showcases his impressive fingerpicking skills on ‘Valle Local’, while there’s evidence of his love for music from around the world in ‘Swing’, among other tracks.
It’s also full of his trademark, bittersweet pastoralism, including ‘