Cubismo georges braque biography

Georges Braque is considered the founder of cubism along with Pablo Picasso. The life, works, and style of the Cubist painter.

Georges Braque (Argenteuil, - Paris, ), great French painter and sculptor, is considered, along with Pablo Picasso, the progenitor of Cubism. Braque and Picasso met in , and by frequenting the Cubist artist Braque assimilated many notions, for example he delved into ’African primitive art, and mastered the various phases of Cubism, moving from the bright colors and a Fauves style of his early work to the simplification of nature into shapes, colors and lines.

He was a very prolific painter and tried his hand at various experiments, even making collages for a time. Often the cubist works, especially the analytical ones, required a very demanding effort indeed on the part of the viewer to understand the real subject represented, which was often revealed only by reading the title of the work in order to more accurately imagine the source image.

World War I conditioned his relationship with Picasso, and upon his return from the front Braque settled back in Normandy, where he devoted himself to landscape paintings while resuming painting figuratively.

The Life of Georges Braque

Georges Braque was born in Argenteuil on May 13, to Charles Braque (painter and decorator) and Augustine Johannet, but spent his childhood and youth in Le Havre, Normandy. He began his art studies here, attending the Evening School of Fine Arts from to , after which he moved to Paris. He began a practicum as an apprentice to a master decorator, and obtained his license in In he enrolled at the Académie Humbert, where he studied until and met among his fellow students the avant-garde artist Francis Picabia. He continued his training at the École des Beaux-Arts in Paris, beginning to produce fig

Summary of Georges Braque

Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still lifes and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued well beyond that period.

Accomplishments

• Though Braque started out as a member of the Fauves, he began developing a Cubist style after meeting Pablo Picasso. While their paintings shared many similarities in palette, style and subject matter, Braque stated that unlike Picasso, his work was "devoid of iconological commentary," and was concerned purely with pictorial space and composition.
• Braque sought balance and harmony in his compositions, especially through papier collés, a pasted paper collage technique that Picasso and Braque invented in Braque, however, took collage one step further by gluing cut-up advertisements into his canvases. This foreshadowed modern art movements concerned with critiquing media, such as Pop art.
• Braque stenciled letters onto paintings, blended pigments with sand, and copied wood grain and marble to achieve great levels of dimension in his paintings. His depictions of still lifes are so abstract that they border on becoming patterns that express an essence of the objects viewed rather than direct representations.

The Life of Georges Braque

Important Art by Georges Braque

Progression of Art

Cubism was one of the most influential visual art styles of the early twentieth century. It was created by Pablo Picasso (Spanish, –) and Georges Braque (French, –) in Paris between and The French art critic Louis Vauxcelles coined the term Cubism after seeing the landscapes Braque had painted in at L&#;Estaque in emulation of Cézanne. Vauxcelles called the geometric forms in the highly abstracted works &#;cubes.&#; Other influences on early Cubism have been linked to Primitivism and non-Western sources. The stylization and distortion of Picasso&#;s groundbreaking Les Demoiselles d&#;Avignon (Museum of Modern Art, New York), painted in , came from African art. Picasso had first seen African art when, in May or June , he visited the ethnographic museum in the Palais du Trocadéro in Paris.

The Cubist painters rejected the inherited concept that art should copy nature, or that artists should adopt the traditional techniques of perspective, modeling, and foreshortening. They wanted instead to emphasize the two-dimensionality of the canvas. So they reduced and fractured objects into geometric forms, and then realigned these within a shallow, relieflike space. They also used multiple or contrasting vantage points.

In Cubist work up to , the subject of a picture was usually discernible. Although figures and objects were dissected or &#;analyzed&#; into a multitude of small facets, these were then reassembled, after a fashion, to evoke those same figures or objects. During Analytic Cubism (–12), also called &#;hermetic,&#; Picasso and Braque so abstracted their works that they were reduced to just a series of overlapping planes and facets mostly in near-monochromatic browns, grays, or blacks. In their work from this period, Picasso and Braque frequently combined representational motifs with letters (; ). Their favorite motifs were still lifes with musical instruments, bottles, pitchers, glasses, newspapers, playing cards (), and the human face and figure. Lan