Wilson lam chun yin married to medicine
List of Forensic Heroes III characters
Forensic Heroes III is a 2011police proceduraltelevision drama serial set and filmed in Hong Kong. Produced by Television Broadcasts Limited (TVB), Mui Siu-ching serves as the drama's executive producer with Choi Ting-ting and Leung Man-wah as the executive writers and editors. The drama closely follows a team of technicians and professionals from the Forensic Science and Forensic Pathology departments of the Hong Kong General Laboratory. Working closely with the Kowloon West District Crime Unit, they use high modern technology and scientific analyses to solve crime. Forensic Heroes III is a reboot of the Forensic Heroes franchise, which was in turn inspired by Hong Kong's 2002 costume drama Witness to a Prosecution and the CBS on-going television series CSI: Crime Scene Investigation.
Forensic Science Division
Jack Po
Dr. Jack Po Kwok-tung (布國棟), better known as Pro Sir, is a Senior Chemist and the laboratory supervisor from the Forensic Science Division of the Hong Kong General Laboratory. Before becoming a chemist, he worked as a Firearms Analyst at the Forensic Firearms Examination Bureau. He lives with his father Shun-hing, his wife Eva Chow, and their daughter Ka-man. Pro Sir is extremely close friends with Mandy Chung, a senior pathologist under the Forensic Pathology Division. Due to their similar personalities and interests, the two share impeccable chemistry at work.
Pro Sir comes from a single-parent household. His mother died young, and his father worked as a massage therapist with low pay, who spent all of the money he earned to Pro Sir's education. Through Pro Sir's hard work and intelligence, he got accepted to one of the most prestigious colleges in the world. His father's strong sense of justice influenced Pro Sir to be a forensic chemist. Pro Sir is educated and consistently receives learning in many other professional subjects such as firearms forensic. His knowledge earns him th
Abstract
There is an emerging potential for digital assessment of depression. In this study, Chinese patients with major depressive disorder (MDD) and controls underwent a week of multimodal measurement including actigraphy and app-based measures (D-MOMO) to record rest-activity, facial expression, voice, and mood states. Seven machine-learning models (Random Forest [RF], Logistic regression [LR], Support vector machine [SVM], K-Nearest Neighbors [KNN], Decision tree [DT], Naive Bayes [NB], and Artificial Neural Networks [ANN]) with leave-one-out cross-validation were applied to detect lifetime diagnosis of MDD and non-remission status. Eighty MDD subjects and 76 age- and sex-matched controls completed the actigraphy, while 61 MDD subjects and 47 controls completed the app-based assessment. MDD subjects had lower mobile time (P = 0.006), later sleep midpoint (P = 0.047) and Acrophase (P = 0.024) than controls. For app measurement, MDD subjects had more frequent brow lowering (P = 0.023), less lip corner pulling (P = 0.007), higher pause variability (P = 0.046), more frequent self-reference (P = 0.024) and negative emotion words (P = 0.002), lower articulation rate (P < 0.001) and happiness level (P < 0.001) than controls. With the fusion of all digital modalities, the predictive performance (F1-score) of ANN for a lifetime diagnosis of MDD was 0.81 and 0.70 for non-remission status when combined with the HADS-D item score, respectively. Multimodal digital measurement is a feasible diagnostic tool for depression in Chinese. A combination of multimodal measurement and machine-learning approach has enhanced the performance of digital markers in phenotyping and diagnosis of MDD.
Subject terms: Diagnostic markers, Depression
Introduction
Depression is the leading cause of health-related burden globally, affecting an estimated 300 million population [1]. The Hong Kong Mental Morbidity Survey showed that less than 30% of people with commo
The Hippocratic Crush
“For the poor life is a punishment” according to Henry (Andy Lau Tak-Wah), the embattled hero of Kent Cheng Jak-si’s Dragon in Jail (獄中龍), a subdued heroic bloodshed offshoot in which a poor boy and rich kid meet in juvie and become best friends for life even though fate seems to have very different paths in store for them. Less a critical expose of the cruelties of an increasingly stratified society than an ode to intense male friendship, Dragon in Jail puts its hero in a different kind of cell as he tries to escape the triad net but finds himself ensnared by past crime and present rage.
Rich kid Wayne (Kenny Ho Ka-King) ends up in a reformatory for pulling petty stunts supposedly because he doesn’t like it that his widowed mother has remarried. Different from the other boys, he’s immediately hazed and asked for his gang affiliation, only he doesn’t have one. Tough boy Henry stands up for him, roping in his other friend Skinny (John Ching Tung) to take on the cell’s Mr. Big after which the boys become firm friends as they study together to sit their A Levels while inside. Wayne wasn’t planning to take his exams as a way of getting back to his mother, but Henry convinces him that education is the one way to show the world who’s boss. The boys come top in their class, Wayne gets out and decides to go the UK to study law, while Henry serves out the remainder of his sentence in an adult prison, sentenced to four years for manslaughter after accidentally killing a triad member during a fight over protection money at his family’s kiosk.
Despite the differences in the scope of their possibilities, Henry and Wayne remain good friends, but once Henry gets out of prison he’s nothing much to look forward to. His hopes of attending a university are dashed by his defeatist father who thinks education is pointless and blames him for the failure of their business, while he struggles to find steady employment as a man with a criminal record. Eventually he decides to wor