Henrique meirelles biography definition

Brazilian politician

Henrique de Campos Meirelles (born 31 August 1945) is a Brazilian manager and former Minister of Finance and an executive of the Brazilian and the international financial sectors and former president of Central Bank of Brazil (Portuguese: Banco Central do Brasil) where he remained in office from 2003 to 2011. He chairs J&F's board of directors, company that owns Banco Original, JBS and Vigor, among others. He is also a member of the board of directors of Azul Brazilian Airlines.

Meirelles was the Brazilian Democratic Movement (MDB)'s candidate for president of Brazil in the 2018 elections.

Biography

Meirelles, is the son of Hegesipo de Campos Meirelles, former attorney of Banco do Estado de Goiás and Diva Silva de Campos, a wedding gown designer.

He left the city of Goiânia to study civil engineering at the School of Engineering of the University of São Paulo (Portuguese:Escola Politécnica da Universidade de São Paulo) in São Paulo, where he graduated in 1972.

In 1974, he completed an MBA in Business Administration from Coppead Institute at Federal University of Rio de Janeiro (Portuguese:Universidade Federal do Rio de Janeiro), UFRJ.

His career began in 1974 at BankBoston, where he worked for 28 years, with national and international operations.

In 1984, with appointment by a BankBoston board member, Meirelles attended the six-week Advanced Management Program (AMP) at Harvard Business School. Meirelles also received an honorary title as doctor by Bryant College.

In July of that year, with his return to Brazil, Meirelles was appointed president of BankBoston in Brazil, a position he held for 12 years.

In 1996, Meirelles moved to Boston, Massachusetts, and assumed the position of President and COO of BankBoston wo

The annual World Economic Forum took place in Davos, Switzerland, from January 15-19. Every year for 54 years, a global business elite has traveled there, whether to interact with customers and suppliers, with intellectual leaders on broad topics or, in an informal environment, with the representatives of governments and multilateral authorities who attend.

Nothing is deliberated, of course, but over time the forum has established a reputation as a stage from which announcements are made and better cross-knowledge of the opinions of key people on hot topics can be obtained.

I personally had the opportunity to see this at the forum in January 2003, when I was a member of the Brazilian government delegation. At that moment, there was enormous and widespread interest in knowing what the first Lula government would be like. Rarely in my life have I seen such a large group of world-renowned economists sitting in a room to listen to the then-newly appointed Minister of Finance, Antônio Palocci, and President of the Central Bank, Henrique Meirelles, talk about their policy plans. Lula also received a huge spotlight at the event. The forum clearly served to satisfy this type of curiosity.

Xi Jinping, president of China, for example, knew how to use Davos well to defend globalization and free trade in 2017. China managed to climb the per-capita income ladder by taking advantage of globalization and, at that moment, it began to have to deal with the anti-Chinese attitude taken by the then Trump Administration. There could not be a better stage for delivering his message.

This year the official motto was ‘rebuilding trust’. It is no coincidence that geopolitical risks dominated discussions, from the wars in Gaza and Ukraine, to the possible consequences of Trump’s return to the White House after this year’s American elections. This was despite some kind of optimism that could have been generated by the favorable surprises in the global economy in 2023, after the predi

The mole is a gentle mammal that steadily excavates tunnels in the earth, and then, when least expected, breaks the surface and emerges above ground. Its subterranean activity and, above all, its unpredictable upsurges made the insolent little beast a symbol of Revolution in the 19th century. Marx famously adapted a line from Hamlet to salute its endeavours in the 18th Brumaire: ‘Well burrowed, old mole!’ Emir Sader’s A Nova Toupeira—to be published in English by Verso as The New Mole—is devoted to the appearance of the creature’s offspring in Latin America in recent years. For at the start of the 21st century, the continent presents a striking contrast to most of the rest of the globe: left-leaning governments, often backed by radical popular movements, are in power across much of its territory, from Argentina to El Salvador, in a span embracing the region’s largest power, Brazil, and its major oil producer, Venezuela.

What explains this exceptional and hopeful conjuncture? There are plenty of works studying specific national experiences on the continent, as well as a growing literature dedicated to the recent resurgence of the left in Venezuela, Bolivia and Ecuador—both sympathetic and hostile accounts. Very few books, however, try to give an overall picture of current developments across Latin America as a whole; among these, even fewer are written from the left. It is ironic that, among works available in English, the book that has dominated the field to date, Michael Reid’s Forgotten Continent (2007), comes from the pen of the Economist’s correspondent. Against this, The New Mole stands out in providing both an analytical synthesis of truly continental scope and a substantial alternative to the mainstream perspective.

Born in São Paulo in 1943, Sader is the author of dozens of books and essays on the politics of Brazil and Latin America, as well as on the fortunes and strategies of the left—from Estado e Política em Marx (

Brazilian painter (1832–1903)

Victor Meirelles de Lima (18 August 1832 – 22 February 1903) was a Brazilian painter and teacher who is best known for his works relating to his nation's culture and history. From humble origins, his talent was soon recognized, being admitted as a student at the Imperial Academy of Fine Arts. He specialized in the genre of history painting, and upon winning the Academy's Foreign Travel Award, he spent several years training in Europe. There he painted his best-known work, Primeira Missa no Brasil. Returning to Brazil, he became one of emperor Pedro II's favorite painters, joining the monarch's patronage program and aligning himself with his proposal to renew the image of Brazil through the creation of visual symbols of its history.

He became an esteemed teacher at the Academy, forming a generation of painters, and continued his personal work by performing other important historical paintings, such as Batalha dos Guararapes, Moema and Combate Naval do Riachuelo, as well as portraits and landscapes, of which the Retrato de Dom Pedro II and his three Panoramas stand out. In his heyday he was considered one of the leading artists of the second reign, often receiving high praise for the perfection of his technique, the nobility of his inspiration and the general quality of his monumental compositions, as well as his unblemished character and tireless dedication to his craft. Meirelles got many admirers both in Brazil and abroad. He received imperial decorations and was the first Brazilian painter to win admission to the Paris Salon, but was also the target of scathing criticism, arousing strong controversies in a period when disputes between academic painters and the early modernists were ignited. With the advent of the Republic in Brazil, for being too linked to the Imperial government, he fell into ostracism, and ended his life in precarious financial conditions, already much forgotten.

Meirelles'